![]() But there's obviously more to the life of the Bowman-Sullivans than keeping their heads down. That's not the type of information you'd want broadcast to militarized oppressors of unknown origin, so Will works as mild-mannered (yet suspiciously rugged) mechanic. They're undercover because Will is some kind of ex-operative, government-type killing machine (but he only does it when he must, because he's the good guy). To the outside world, the Bowmans are the Sullivans. Yards are protected by barbed wire, while armed guardsman and people who look like your friends and neighbors speak to each other in code and trade goods through some kind of barter system. Outside their door, the wholesome orange juice commercial vibe crumbles. They kiss their kids, feed the dog, and do the morning kitchen dance of the busy, in-love parents. The pilot joins main protagonists Will and Kate Bowman (Holloway and Callies) on an average morning of the occupation. and Colony L.A., however, is that Colony L.A. With some stipulations.Ĭolony is set in and around Los Angeles, in what's basically the present. But if I were to do that with the first full episode of the Josh Holloway and Sarah Wayne Callies series, I'd say that it's on the right track. I don't know which kind of show Colony is yet it's not fair to pass judgment solely based on a pilot. There are two kinds of high-concept TV shows: the ones that establish self-sustaining intrigue that stokes the continued fervor of their fanbase ( Lost, incidentally a credit of Colony co-showrunner Carlton Cuse) and the ones that overload the narrative and exhaust their viewers. Did the premiere of USA's sci-fi drama Colonygrab your attention? The slick, tense pilot, which aired Thursday evening, threw a lot of story at me, straight off the bat.
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